1 edition of Aprendiendo de Las Vegas found in the catalog.
|Statement||Editorial Gustavo Gili|
|Publishers||Editorial Gustavo Gili|
|LC Classifications||November 1998|
|The Physical Object|
|Pagination||xvi, 128 p. :|
|Number of Pages||71|
nodata File Size: 2MB.
Mar 12, Robert Ventuir rated it really liked it. 14 de octubre de 2009. It humbles down the architect's role at the end to compromise their formal expressions and highly technical engineering aspirations for solving current social problems.
Likewise, urban studies is all about the everyday human impact of urban development projects. Un paradigma de la Arquitectura moderna. An excellent if at times repetitive work.
Social concern, in the context of city planning is completely absent from this text. Many came off as capitalist bullshit that conflates profitability and democracy, and on a more practical plane, left a lot of hideous, impractical architecture — the built-environment equivalent of a Geocities page — in its wake. Most postmodern architecture looks obnoxious, sculptural, blatantly ironic—directly mimicking Disneyland and the Strip. Venturi in particular criticized much of postmodern architecture for following some of the same ideological, dogmatic paths as the Modernist movement they were supposedly rebelling Aprendiendo de Las Vegas.
The iconography and mixed media of roadside commercial architecture will point the way, if we will look. Retrieved 6 July Nov 13, Ian rated it really liked it Shelves: On that same page, he has drawn YES inside a heart next to his bracketed suggestions for Strip Beautification. This book is full of suggestions, and to me the most important when in an architectural sense was to see the metaphorical or symbolical value of these structures and their usefulness.
103 and The familiar that is a little off has a strange and revealing power. Todo lo que existe es imagen. I became vaguely aware of its architectural fame or notoriety through my mom on my way to school. Aprendiendo de Las Vegas Vegas fue considerada como una "no ciudad" y como una consecuencia de una "franja", a lo largo de la cual se colocaron estacionamientos y fachadas singulares para casinos de juego, hoteles, iglesias y bares.
Dewey also shares with Venturi, Brown, and Izenour a rejection of metanarratives and the Modern, overly-aspirational account of Man, while avoiding the cynical inaction of most postmodernists.
A diferencia del resto de las ciudades del mundo, la capital del juego no puede resumirse en una o dos figuras reconocibles.
We don't have a Brooklyn Bridge or iconic harbor or subway line running through Old Town, but there is a character that identifies itself as a city.
felicitaciones me gusta tu estilo de escribir fresco y entretenido Me gusta.